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Dayne discussed working in a Russian nightclub in Brighton Beach, and Zimmern described the abandoned building just south of Houston Street that he lived in for years. “You don’t want the newest and the latest people who are on the circuit just to be on TV for promoting their bullshit,” Bronson said.

“I do the same thing, dog; I don’t want that.” The show also isn’t topical or news-driven―“definitely no politics”―so it may be tough to attract the daily viewers that traditionally constitute a late-night show’s base. maybe we’ll attract people that are not attracted to those other shows.”Back at the taping, in a development that may or may not have been planned, Dayne and Zimmern turned out to be fans of one another’s work.“You know what? “I liked you a lot before I met you, and I like you more now.”Dayne rubbed Bronson’s head and asked, “Does [Zimmern’s] mind impress you to some degree? I fucking love him.”Dayne agreed: “He’s the porn star of cooking TV.”Bronson then asked Dayne for her preference on the next dish, Taiwanese bao. “I don’t want to hold you back.”Toward the end of filming, Bronson and Dayne led the band through Dayne’s perfectly 1987 debut single, “Tell It to My Heart.” Zimmern banged his pan along.

“It’s not sitting at a desk in a suit fucking uncomfortable,” Bronson said.And ideally, that shift can be managed without paying much mind to the genre conventions of the format.As executive producer Lauren Cynamon, who’s worked with Grosso and Bronson over the past few years, said, “We’d never worked in TV until Viceland started.Nonetheless, Grosso said, “All [the move to late night] does is get a totally different audience that he’s reaching now that he’s on cable. But I think he is just kind of out there with some older people, and a whole different audience that are enamored that this person’s allowed to do what he does.”And likewise, Salsano views the show’s departure from the form it inhabits as its own marketing point: “I think those other shows split one audience up, and I think that this is a totally separate audience . The studio audience by then was some combination of her entourage, Zimmern’s, Bronson’s friends, and Viceland staffers.

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It wasn't her story to tell but people that have juicy information feel its their place to tell it. Now his legacy is about him being gay instead of the great music he produced.